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A restaurant service is a choreography of timing and communication.

A celebrity interview tells you about a day.

A stunt performer sees a set as a sequence of marks, timing and coordination.

An onboard film can put you close to the action.

The walk towards the pitch, a training drill and the view of teammates all offer perspectives a distant broadcast camera cannot reproduce.

The audience normally looks towards the stage.

One team can touch the physical puzzle.

Friends watching separately often spend half the programme messaging each other.

Most reality programmes ask the audience to watch.

A celebrity mentor and a fan do not have to stand in the same room to share a challenge.

Here is a deliberately strange game-show idea: each contestant sees the other person’s viewpoint while solving a shared puzzle.

An escape room is full of details people notice differently.

What if a contestant in a physical studio became the eyes of a team playing from home? Remote players could see the puzzle through the contestant’s…

The same challenge can look very different from two positions.

A close-up camera can show a contestant’s reaction.

Imagine following a house challenge from the position of your favourite contestant.

First a person shares what they see.

A shared virtual mission could give a team a setting for rehearsing communication and coordinated decisions.

If one robot has mapped a room, could another use some of that information? A shared spatial database is an ambitious idea, but the useful information…

A remote expert may have a limited time to review a live scene.